RECOMMENDED - "A POSITIVE READING EXPERIENCE"This book provides the reader a satisfying experience, especially if the reader is already a fan the genre. This may not hold true for readers outside the genre. This book approaches the level of a contemporary traditionally-published book in its genre. This book met or exceeded the minimal editing quality of a traditionally published book. If spelling or mechanical errors were present, they were rare, hard to notice, and didn't detract from the novel's overall experience. The novel's structure (plot, characters, flow, dialogue, etc.) allowed reader to reasonably experience the story without unnecessary effort or distraction. The story met genre expectations, though did not necessarily bring anything new to the literary form. Click here to read more on Rule One Book Reviews rating system. TITLE: The Voyage of the Nostalgia PUBLISHER: Independently published AUTHOR: Katherine Moon GENRE(S): Science Fiction PUBLICATION DATE: July 23, 2025 AMAZON REVIEWS/RATINGS AT DISCOVERY: 3/2.5 Star Average AMAZON KINDLE RANKING AT DISCOVERY: #1,441,596 WHY IT GOT MY ATTENTION: This title popped up on my X feed. The author didn't follow me, and I didn't remember following her, but sometime in the past I guess I did. It was the title that got my attention, I thought it highly original and catchy. I clicked on the link and read the pitch (fine) and then the sample. The sample caught my attention with its script-like dialogue and believable characters, set in a futuristic setting but with a contemporary feel. I read the whole sample and found it satisfying, but not spectacular. Overall, I assessed this novel as a potential light sci-fi diversion I might read while on vacation (which funny, because it's about people on a vacation). Then I glanced at its Amazon ratings. 2.5 stars? That didn't make sense. It appears that someone came along and slammed this newly-published indie novel, which had NO reviews at the time, with a malicious 1-star review on Amazon. This review wasn't even a verified purchase, which makes it completely suspect, and essentially served to sabotage the novel. That's bullshit. Is this novel going to win a Hugo? Probably not, but there was nothing in that sample that even hinted this novel would deserve such a low rating. That's not fair, that's not right, and that's not cool. Therefore, "The Voyage of the Nostalgia" is now purchased and jumps to the front of the line and is scheduled for a review. I challenge Rule One Book Reviews readers who might enjoy scifi adventure to purchase this book and meet me back here in November to compare notes. DATE PLACED ON CANDIDATE LIST: 2 October 2025 STATUS: Reviewed 12 November 2025 The ReviewPLOT "Love, exciting and new. Come aboard, we're expecting you!" Somewhere in a distant, but strangely contemporary, future, the luxury space cruise ship The Nostalgia is about to take her maiden cruise. She is the first of her kind, built with every accommodation in mind to cater to the whims and dark desires of the solar system's ultra-wealthy. First Officer (Staff Captain) Elisa Sharp must not only keep the ship running smoothly but also deal with a passenger manifest that includes humanity's most powerful elite, including some unexpected guests. The ruthless Senator Laura McDonald has unexpectedly boarded The Nostalgia at the last minute, and brings with her a past that could wreck Elisa's future. Also onboard is the handsome and mysterious Xavier Blanc, a man with ties to the ship's captain and secrets that could put the entire voyage in mortal peril. The Nostalgia isn't just embarking on any cruise. She is venturing beyond "The Belt" to the outer solar system, a place no cruise ship has ever ventured before, a place from which this maiden voyage may not return. The Amazon product page sells this book as "Perfect for fans of creeping dread, psychological sci-fi, and slow-burn survival horror" and cites Blake Crouch, Alien, The Expanse, and Grady Hendrix as comps. I didn't get that vibe from this novel. It didn't have a lot of creeping dread or slow-burn horror. It came across to this reader as a sci-fi soap opera with a dash of action and horror thrown in as a side dish. The Voyage of the Nostalgia felt, well, nostalgic. For those old enough to remember, it might remind one of those "made for TV" movies of the late 1970s or early 1980s. I could imagine this as a network pilot for a campy sci-fi episodic drama, one that might get picked up as a series if the ratings are high enough. Its dialogue-heavy scenes even read like a script. This novel is The Love Boat meets Fantasy Island meets Titanic meets Alien. I don't think it was the author's intention, but it was how it hit me (and that's not a bad thing). It should not have worked, but...it did work. The reason it worked was the solid character development and the dialogue-heavy story. CHARACTERS Much like the 1970s television series The Love Boat, we meet all our characters during the ship's boarding process. There are many, and each boards The Nostalgia for their own reasons, with their own secrets and desires. I imagined each of these characters played by B-list television actors of the day, much like what one saw on The Love Boat. The main characters, or A-listers, are the ones who carry the plot. Once again, I'm not sure that's how the author intended it, but that's how I interpreted it, and I kinda liked it. Elisa Sharp is clearly the main protagonist. She's a competent, ambitious officer lost in her career. The author does a good job building her as a competent yet flawed character. Elisa has a past (abandoned by her mother, raised by her father) and shortcomings (heavy drinker), with a mix of strengths and vulnerabilities. She loyally serves in the captain's shadow; he largely performs the ship's ceremonial duties while she does the heavy lifting. She's lonely and finds the opportunity to spark a romance with Xavier Blanc, the captain's personal guest during the voyage. Author Katherine Moon breathes enough life and depth into Elisa Sharp that she defies "strong female protagonists" tropes and felt like a fully realized character. Xavier Blanc is the older and handsome love interest. There were some excellent scenes between him and Elisa with good romantic tension and snappy dialogue. Yet, in those scenes without her, he felt two-dimensional. Blanc was there mostly to serve as a love interest and (eventually) foreshadow and explain the main antagonists. He is perhaps my least favorite character because he had the thinnest character development. Atlas Faladei, the cruise director, is the "Mr. Roarke" character in this story (for those familiar with the old television show Fantasy Island). His job is to make every guest's dreams come true. He does this by knowing everything about each guest, and through him the reader gets to know the key characters. At his disposal are the ship's powerful printers that can make anything for anyone at any time, as well as an army of pleasure androids that can satisfy any guest's appetites. Atlas is highly competent and has the pulse of the ship and the guests, yet is distracted by family events unfolding back home on Earth. My second-favorite character was Aurora Castillo Ramirez, a fading pop star/influencer who signs on as the ship's headliner act. "Rori," as her old friend Elisa calls her, is desperately trying to salvage her career while at the same time fighting a drug problem. She's brash, bold, impulsive, and on the verge of losing control at any minute. If I had written this book, she would have been the main protagonist. She was fully realized, interesting, and her presence in any scene made the other characters more interesting. My favorite character had the least "screen time" of any and was the best written. Lacey Albos, the middle-class housewife with big dreams and no common sense. Lacey and her husband open the novel during The Nostalgia's boarding process. Moon quickly and masterfully crafts Lacey into an interesting and fully realized character, and through her, hooks the reader (the opening scene is why I read the book.) I've met women like Lacey before, and Moon did a great job writing her. No other character, other than Rori, had this level of sophistication and depth crafted so quickly and effectively. To my disappointment, the author largely abandons this character throughout most of the novel, only bringing her in later as a plot device. Both Rori and Lacey demonstrate author Katherine Moon's writing chops and what her potential as a storyteller could be. THEMES There was no central, over-arching theme tying this story together, but there doesn't necessarily have to be one. In an adventure novel the plot is supposed to do this. Instead, the author relied on individual character-arcs, and how they interplayed with each other and the plot, to carry the story. It was these character arcs that kept me reading, even when the plot seemed to stall. ANALYSIS Let's get the novel's major weaknesses out of the way first—pacing and tension. The "slow burn" was too slow. The overarching plot really didn't get going until almost 60% into the book. Yes, there were teases and foreshadowing that something ominous was coming, but these scenes lacked any real tension and were too far apart. About halfway through the book, I began to ask myself where all of this was going. The major setback occurred about 80% into the novel, and then the climax felt rushed and somewhat anticlimactic. There was nothing structurally wrong with the major antagonist, or the creativity and originality that went into building the major plot. It was simply a matter of stretching things out too much and waiting too long to spring it on the reader. So, what saved this novel and earned it a RECOMMENDED rating? Individual character story arcs, interpersonal drama and tension, dialogue, and character building saved this novel. This is what carried most of the story and kept me reading. The actual sci-fi elements are fairly generic, but one element actually got me thinking. In Moon's futuristic setting, advanced glues are used as substitutes for metal and polymers. They are so strong they can even be used for ships' hulls. I'd never seen this concept before in sci-fi, and I thought it was pretty cool. This concept played a major role later in the novel in a way I did not see coming. RECOMMENDATIONS The Voyage of the Nostalgia entertained me. It was worth my money and time. It's fun and an easy read. It mixes several tried-and-true tropes in an original way. Its strengths are its characters and dialogue, and it's easy to lose oneself in the character interactions. The novel's weaknesses are pacing and tension, but the book eventually rewards the reader with a satisfying conclusion, albeit one that loses too much steam before we get there. Because the characters carry the reader to the conclusion, the novel's flaws are not fatal and could have easily been fixed with a good editor or feedback from knowledgeable beta readers.
With a little massaging, this novel could easily be turned into a fairly solid script. The Voyage of the Nostalgia is a worthy read. I recommend this novel for fans of light sci-fi, perhaps even those who enjoy campy horror. It is especially recommended for those who enjoy interpersonal drama. Katherine Moon is clearly a talented and promising author.
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RECOMMENDED - "A POSITIVE READING EXPERIENCE"This book provides the reader a satisfying experience, especially if the reader is already a fan the genre. This may not hold true for readers outside the genre. This book approaches the level of a contemporary traditionally-published book in its genre. This book met or exceeded the minimal editing quality of a traditionally published book. If spelling or mechanical errors were present, they were rare, hard to notice, and didn't detract from the novel's overall experience. The novel's structure (plot, characters, flow, dialogue, etc.) allowed reader to reasonably experience the story without unnecessary effort or distraction. The story met genre expectations, though did not necessarily bring anything new to the literary form. TITLE: Asterius (Timelessness) PUBLISHER: Independently Published AUTHOR: Susana Imaginário GENRE(S): Myth & Legend (multiple sub-genres) PUBLICATION DATE: 21 December 2024 AMAZON REVIEWS/RATINGS AT DISCOVERY: 14/4.7 Star Average AMAZON KINDLE RANKING AT DISCOVERY: #1,228,389 WHY IT GOT MY ATTENTION: I write about mythology, so this book caught my attention on genre alone. However, the blurb really hooked me. It was perhaps one of the shortest and most efficient blurbs I've seen on Amazon. The sample is a first person perspective of a famous Greek myth, which I assume is to refresh the reader on the story of the Minotaur. It is effectively written and clearly serves to prime the story and set up the main character, but is that character the protagonist or antagonist? A monster or a hero? I want to know more! DATE PLACED ON CANDIDATE LIST: 14 August 2025 STATUS: Scheduled for Review 17 October 2025 The ReviewPLOT Asterius is a retelling and reinterpretation of the 2,500-year-old Greek myth of the Minotaur. Author Susana Imaginário stays faithful to most of the story elements but tells the tale using modern contexts in the style of the genre known as "mythological slipstream," which is loosely described as a "blend of speculative and literary fiction that uses mythic and folkloric elements to create a sense of strangeness or 'otherness' in a contemporary, realistic setting." Elements of mythological slipstream include a blending of genres, a sense of unease, subtle surrealism, high cognitive dissonance, and psychological depth. While I am passionate about mythology, Asterius is my first introduction to this genre. The novella is written in first person through the perspective of Asterius, commonly called the Minotaur, and takes place in the original setting of ancient Crete. Half man, half bull, Asterius is cursed by the gods from birth. Sealed in the Labyrinth, the almost-endless underground maze beneath King Minos's palace on Crete, he has one job—slay any who enter his domain. That task takes the form of monthly "tributes," condemned men and women sent into the Labyrinth's depths. Asterius dispatches them efficiently, with neither malice nor mercy. It's simply his job. Life goes on this way in his world until a new batch of tributes changes everything.A mysterious woman has entered the Labyrinth, one who has managed to elude the Minotaur on his own territory. This, coupled with warnings from his benefactors, Daedalus and Icarus, puts the legendary monster of the Labyrinth on edge. Icarus tells Asterius the Athenian hero Theseus has come to the court of King Minos and has sworn to marry the king's daughter and slay the monster that dwells in the Labyrinth.In the darkness, two deadly adversaries discover they have one thing in common—honor. Is honor enough to bend fate? CHARACTERS Asterius, the Minotaur, is clearly the star of this show. He is portrayed by Imaginário as sort of a "hit man" trapped in a job he is exceptionally good at but hates. He doesn't take joy in killing, but he doesn't shrink from it either. Imaginário builds Asterius as an intelligent and tragic character, who seems to make the best of the raw deal he has been given by the gods, his family, and his "friends." He was imprisoned in his hideous form even before birth by Poseidon's wrath, his stepfather's greed, and his mother's dark lust. He is imprisoned physically in an underground maze designed by the man whom he calls "father." None of this is his fault, yet he must bear the shame and punishment for it all. The world has granted him no mercy, yet he chooses to show no mercy to those who enter his realm. He also doesn't see himself as a victim, nor does he let circumstance rob him of his humanity. Theseus, the traditional hero of the ancient myth, comes to Minos to further his own plans and his own glory. Like Asterius, he is a powerful and resourceful demigod. Through much of the story, Theseus remains hidden from the reader. We only get glimpses of who he is through impressions communicated by Icarus to Asterius via a small window in the dungeon's wall. Both the reader and the Minotaur must wait patiently in the dark Labyrinth for Theseus to reveal himself. In that aspect, this is where the novella clearly crosses into the "slipstream" genre. Instead of following Theseus from the light into the darkness in search of a monster, we are the monster lurking below awaiting the hunter invading its territory. Imaginário doesn't subvert expectations in this manner; she merely shifts our perspective. Neither Theseus nor Asterius is a hero, nor are they villains. Asterius is physically trapped by fate, the gods, King Minos, and even his friends. Each of these players uses him for their own purposes. Theseus is equally trapped by his own ambitions. Both men are isolated by fate and their own choices, and will face each other in the complicated darkness of the Labyrinth. Are these characters morally gray? No. Are they complicated? Yes. THEMES In this maze, we encounter the themes of betrayal, fate, and honor. Imaginário doesn't subvert the original myth as much as she humanizes it by framing timeless characters with a contemporary psychological lens. In ancient myth, the Minotaur represents generational sin and evil lurking in the deep darkness. Theseus must find the courage and resourcefulness to penetrate that darkness and face that monster. In this tale, however, instead of finding a "heart of darkness" at the labyrinth's center, Theseus finds a well-lit, warm sanctuary filled with scrolls and comfort. Here, the reader finds reason, not savagery. Instead of a monster, we find a contemporary man, made monstrous by those who seek to control him for their own ends.Here, Theseus must face the consequences of the decisions he's made that led him to this point. The novella climaxes in the labyrinth's heart with phenomenal dialogue between Theseus and Asterius. Here, Imaginário's skill as a writer truly shines. ANALYSIS I was expecting Imaginário to do the postmodern thing and subvert my expectations by turning the ancient myth on its head—portraying the Minotaur as the victim and Theseus as the villain. Thankfully, she didn't. In fact, she hewed fairly closely to the spirit of the original myth. She presented this story as a Greek tragedy, but with a modern "slipstream" vibe. I guess the term I'm looking for is "accessible." There are dark adult themes in Greek myths that explore the darkest regions of the human mind, like murder, betrayal, rape, and even bestiality. Greek myths approach evil, and the inherent unfairness of life, in a format that enables the old to teach the young through stories around the firelight. On a gut level, I think Imaginário understands this and delves only as deeply into these dark themes as the original myth does—no more, no less. I think most contemporary writers in the slipstream genre would have plunged deeper into the more graphic possibilities the source material offered. The author resisted this temptation and, in the process, made the work highly accessible. The only real critique I have is the smattering of profanity throughout the story. I have no objections to profanity in a story if it's necessary. In this case, it was jarring and served to undercut the story. Yes, the modern profanity makes sense as an aspect of the "slipstream" genre, but in this case, it didn't seem to fit. RECOMMENDATIONS Asterius is tightly written and edited, with strong dialogue and a satisfying pace. Asterius serves as a gateway to Imaginário's larger Timelessness series, and in that role, this novella serves its purpose. I am intrigued and look forward to exploring her other titles. Susana Imaginário is clearly a talented author with a bright future. I would recommend this novella to any lover of ancient myth or someone interested in dipping their toes in Greek mythology.
"HIGHLY RECOMMENDED" - A highly enjoyable/satisfying reading experience. This book provides the reader a fully entertaining/satisfying experience, and may appeal readers outside the genre. This indie novel met or exceeded the level of a contemporary traditionally-published books in its genre. This novel met or exceeded the editing quality of traditionally published novel. If spelling or mechanical errors were present, they were rare, hard to notice, and didn't detract from the novel's overall experience. The novel's structure (plot, characters, flow, dialogue, etc) immersed the reader and provided an effortless reading experience. The story not only met genre expectations , but brought something original to the literary form. Click here to read more on Rule One Book Reviews rating system. TITLE: Remember Who You Want To Be PUBLISHER: Branch Hill Press, LLC (Small Indie Publisher) AUTHOR: Michael C. Haymes GENRE(S): Literary Fiction) PUBLICATION DATE: September 23, 2022 AMAZON REVIEWS/RATINGS AT DISCOVERY: 5/5.0 Star Average AMAZON KINDLE RANKING AT DISCOVERY: #633,493 WHY IT GOT MY ATTENTION: I saw it on X and clicked on the author. He had it pinned to his profile. It clearly gave off the literary fiction vibe. The pitch was well-written and compelling, capturing the essence of what promised to be a well written personal drama. The sample began with an extensive forward, which I intentionally skipped. I wanted to judge this book on its true sample, not how the author wanted to frame the story. The title, the pitch and the sample effectively served up an overarching theme that I wanted more of. DATE PLACED ON CANDIDATE LIST: 16 June 2025 STATUS: Reviewed 20 September 2025 The ReviewPlot. In "Remember Who You Want to Be," the reader experiences life, and America, growing up through the lens of Roger Evans, the only child of a New England working-class family. The novel opens in 1977, with Roger's family attending a screening of Star Wars. Author Michael C. Haymes paints a picture of Roger's apparently normal childhood, one of school, little league baseball, and blue-collar American life. Over the course of the novel, Roger grows and the normalcy of his childhood is slowly stripped away as one crisis after another rocks his family and his life. Roger's father grapples with demons from his service in the Vietnam War, which threaten to tear Roger's family apart. Roger's grandfather steps in and becomes the boy's guiding force, whose influence can be felt throughout Roger's life. However, Roger's grandfather is deaf and, as Roger grows, both he and his grandfather learn sign language together. We experience Roger's caring but troubled extended family, who are plagued by their own trauma and deep secrets that eventually surface and shake Roger's life to its core. As important as his family are Roger's circle of friends, especially his best friend Jim. Jim endures a catastrophically traumatic home life, much of which he hides from the world and from Roger. The plot is, essentially, life as it happens to Roger, and how he reacts to it serves as the platform on which the author hangs the novel's themes. These themes provide the glue that makes "Remember Who You Want to Be" a richly told story. Characters Roger is a complex character. His childhood is robbed by divorce and violence. He is often angry, sometimes self-centered, and teetering on falling into the personal abyss that claimed so many of those he loved. Over the years, we see him grow, simultaneously shaped by his world while fighting to carve out a place in it. In many ways, he stands in stark contrast to his best friend Jim, who succumbs to the personal darkness that torments his life. The key difference in the two friends is the influence of family, specifically the men in Roger's life—his grandfather and his father. Roger's grandfather plays a major role early in the story, becoming a surrogate father as Roger's family falls apart. Grandson and grandfather grow close as they learn to communicate with one another with sign language. These scenes are perhaps some of the novel's best. They share a secret language, and Grandfather teaches Roger important lessons that lay the foundations of Roger's future resiliency. This resiliency carries Roger through some of his life's darkest moments. Roger's father is largely absent or disengaged for much of his late childhood, and is slowly reintroduced in Roger's late teens. Roger's father's lessons are those of personal example, both good and bad. His father's arc is one of personal redemption. Roger slowly learns to see his father as a flawed human, but one who never gave up on himself, or (ultimately) his family. There are many excellent female characters in this story, like Roger's aunt Carol, who deeply loves her nephew but whose mysterious and unspoken past seems to haunt the family. My favorite female character is Roger's girlfriend Memphis. Memphis only makes a brief appearance, but the character shines with incredible depth. Haymes imbues her with a masterful combination of tenderness, vulnerability, and inner strength. While these female characters are masterfully crafted and important to the story, this is a man's book, or a book for women who genuinely wish to understand a man's heart; and this ties in with one of the novel's many themes. Themes. There are many themes in "Remember Who You Want to Be." There is a lot packed into this novel. The title itself, repeated several times in the story, is perhaps the novel's overarching theme. Essentially, no matter what trials and tribulations life sends your way, in the end you are responsible for the ultimate course you set. One must know where one is going, so one does not become lost along the way. This was the key difference between Roger and his best friend Jim. This directly ties into the theme of family. A young man cannot remember who he wants to be if no one is there to help point the way. Family had a positive, if not flawed, influence in Roger's life. By contrast, Jim had no family support. To say Jim's family was highly dysfunctional would be an understatement. Jim, young, wounded, and immature, is unable to tell Roger about his horrible family's secrets until the emotional and psychological damage is already too deep. Secrets and a lack of communication are also at the heart of Roger's family's troubles. Roger's father, a stoic vet, is unable to communicate his pain and suffering with his wife. Roger's mother can't or won't hear her husband's cries for help. Grandfather and Carol hold dark secrets that fester in the family's background. Combined, all that is unspoken poisons the family. It sets up a dynamic of essentially good people being driven apart, and serves to isolate young Roger. While I don't know if the author intended it, I think a major theme of "Remember Who You Want to Be" is communication. Specifically, how we fail to truly communicate with those closest to us. That is where Roger's grandfather becomes so important. One reason Roger and his grandfather are able to build such a strong relationship is they actively work at communication with one another by learning sign language. For the deaf, one cannot communicate without first actively seeing the other person. It's a very intentional process. To truly communicate with one another, we must first truly see one another. In my opinion, this is the novel's true overarching theme, whether the author intended it or not. For example, let's talk about the novel's exploration of Deaf Culture. Through Roger, the author explores deafness—the science, the experience, its culture, and its challenges. A key lesson expressed in the story is that, when communicating with someone on the "deaf spectrum," the concepts of "Visibility, Noise, and Distance" are critical to ensure clear communication. Roger repeats this mantra to hearing people throughout the book's second half, sometimes patiently and sometimes in anger. While this is clearly important in Deaf Culture, its lessons for us "normies" are profound. "Visibility, Noise, and Distance" applies to all human relationships. First, truly see the person you care for, then eliminate those distractions (noise) that interfere with clear communication, and finally, draw close to one another (both physically and emotionally). I think this concept is what the character Memphis represents in the novel, and how, in such a brief time, she connected to Roger and began his journey of healing and reconciliation. Speaking of women... I said earlier this is a man's book. Haymes crafts several scenes that tap into unspoken and unexplored concepts of what young men experience, think, and feel. More specifically, it explores what it is to be a young man growing up at the dawn of what could be considered "modern" American society. One such concept is how often women, no matter how much they care, are sometimes unable or unwilling to empathize with men's emotional suffering. This gap often leads young men to isolate themselves both emotionally and even physically. Eventually, these young men quit trying and begin to wall themselves off emotionally. This happened to Roger's father, and to some extent, Roger himself until he found a woman who could bridge that gap and reestablish emotional trust. A character-driven plot, supporting deeply rewarding literary themes, makes "Remember Who You Want to Be" a satisfying reading experience, but one not without its flaws. Analysis. Haymes can wrap up a chapter with the best of them. He drops some incredible lines in this novel that made me put down the book and simply ponder what I had just read. The first half of this novel is brilliant. It is some of the best writing I've encountered in years. Haymes' depiction of a family in crisis during the 1970s and 1980s, from the way the decades felt, and their influence on a family struggling to stay together, conveyed authentic genuineness. Haymes' prose is straightforward and unadorned, and he relies on rich dialogue to carry the story. The author takes us along with Roger as he matures and, despite the tragedy, fights to build a future for himself. Each chapter, though seemingly only a telling of a slice of Roger's life, reinforces one of the novel's themes. Haymes mostly captures these themes with realistic and character-driven dialogue that carries the reader effortlessly from chapter to chapter. The novel's deeply personal tones and dialogue, concentrating on the individual struggle, get occasionally waylaid when straying into Deaf Culture identity, grievance, and advocacy. The novel's second half, while still well-written, often felt like an overt advocacy piece when it strayed from natural dialogue and character interaction to large stretches of Roger's internal monologue taking on a "public service announcement" tone. It created a jarring experience for the reader and took me momentarily out of the story. Reader education about deafness was handled best in the novel when the reader experienced it alongside Roger, such as those scenes with his grandfather. This is a minor critique, because even the "public service announcement" segments clearly conveyed important information critical to the story. At its heart, this novel advocates and educates while telling a story, and I learned much by reading it. Recommendation All my critiques are minor, and this novel's flaws do nothing to detract from an overall story that compels the reader to keep turning the pages. "Remember Who You Want to Be" is accessible, well-written literary fiction with heart. The reader can feel the passion the author poured into the story. I cared about Roger, his family, his friends, and what was going to happen next. The dialogue and the characters are realistic and well realized. While it provides a peek into what it was like to grow up Gen X, it doesn't use nostalgia as a crutch but as a timestamp to tell a story universal to the human condition and accessible to readers, especially young men, across multiple generations and genres.
This is a strong first novel, and Michael C. Haymes is a promising writer with a bright future. RECOMMENDED - "A POSITIVE READING EXPERIENCE"This book provides the reader a satisfying experience, especially if the reader is already a fan the genre. This may not hold true for readers outside the genre. This book approaches the level of a contemporary traditionally-published book in its genre. This book met or exceeded the minimal editing quality of a traditionally published book. If spelling or mechanical errors were present, they were rare, hard to notice, and didn't detract from the novel's overall experience. The novel's structure (plot, characters, flow, dialogue, etc.) allowed reader to reasonably experience the story without unnecessary effort or distraction. The story met genre expectations, though did not necessarily bring anything new to the literary form. Click here to read more on Rule One Book Reviews rating system. TITLE: Dragons In The Dungeon (Adventures in Lachspeur of Lore) PUBLISHER: Quarter Castle Publishing (small indie publisher) AUTHOR: Diane McGyver GENRE(S): Fantasy (Mythology and Folk Tales/Fairytale Fantasy Folklore). PUBLICATION DATE: March 31, 2023 AMAZON REVIEWS/RATINGS AT DISCOVERY: 2/5.0 Star Average. AMAZON KINDLE RANKING AT DISCOVERY: #2,402,659 WHY IT GOT MY ATTENTION: This one popped up to my X feed once, which resulted in me following the author. The title is adequate, the cover isn't bad and completely fits the genre and the pitch. The novel's Amazon pitch felt watered-down and didn't grab my attention until I read the last paragraph, where it directly appealed to Gen-X D&D nerds. If I had not been an old geek, I may have kept scrolling. What puts this novel on the candidate list is the sample. The first few pages were full of action, compelling characters, and good dialogue. I'm interested. DATE PLACED ON CANDIDATE LIST: 1 June 2025 STATUS: Reviewed 7 August 2025 The ReviewCormac, a teenager from Nova Scotia in the 1980s, is at that magical age between childhood and adulthood where anything is possible. In his case, "possible" means the impossible. Through mysterious magic, which isn't immediately explained to the reader, Cormac has become trapped inside a “Dungeons & Dragons”-style role-playing game. His fantasy has been made real. By “real,” living in a D&D world is a waking nightmare. Magical adventures in this universe have real consequences, like death. Cormac’s only thoughts are how to survive this unforgiving world of violence and magic long enough to escape. His chance for escape back to the real world comes in the form of Rosalind, a brave and resourceful “hauflin” thief. There is only one problem: Rosalind is cursed. Though she holds the key to his return, each new dawn wipes her memory clean. Along the way, Cormac and Rosalind undertake many side quests and join forces with other adventurers, including a dwarf bard, an elven magic user, and a fledgling hauflin cleric with his magical chicken. Ultimately, Cormac’s band of adventurers must face a terrible sorceress who possesses the secret to this magical world and Cormac’s way home. Dragons in the Dungeons is a Level 1–4 module for 2–6 characters. Unfortunately, the Dungeon Master (or Adventure Master, as she calls it) is an insane killer.
Diane McGyver’s Dragons in the Dungeon is 1980s nostalgia-bait for Gen-Xers like me, who grew up playing tabletop role-playing games before the internet. This story harkens back to the 1980s Saturday morning cartoon, Dungeons & Dragons, about a band of ’80s kids magically trapped inside a D&D world made real. This 1980s cartoon is probably responsible for more kids trying D&D than anything else. Essentially, I am McGyver’s target audience. Perhaps that is why I chose this novel as my debut review for Rule One. It felt like a sure bet, and it was. Dragons in the Dungeons does exactly what it set out to do: provide the reader a light, entertaining fantasy adventure in a 1980s Dungeons & Dragons-inspired setting. Cormac’s character arc is essentially that of the reluctant hero, perhaps even the anti-hero. When we meet him, he has been trapped in this world for many years. He is no longer the innocent teenager but a cold, calculating man just trying to survive. Rosalind’s character arc begins fresh each morning as her memory is wiped clean. Yet her spirit and inherent goodness are there to meet the party each morning, almost like a magical elixir. Rosalind’s resourcefulness and bravery remain intact, and it’s her indomitable spirit that begins to melt Cormac’s heart and remind him who he really is. The interplay and developing relationship between Cormac and Rosalind was my favorite part of this novel. It possessed a gentle sweetness, like an adolescent awakening. I think this could have been developed more, but it worked. Without giving away any spoilers, the antagonist worked well because this villain almost seemed like an anti-Rosalind in many aspects. While the ending seemed a little abrupt and neat, it worked and perhaps left a little wiggle room for a sequel. There is nothing in this novel that exceeds a PG rating, maybe even a G rating. In fact, there is an innocence and warmth to the characters and story I found refreshing. Perhaps a better word is "genuineness". I sensed this was a labor of love on behalf the author. Conspicuously absent is the satire and darkness that seems to infiltrate so much modern writing. The novel is a tight, well-written experience. It opens with a great hook set around a prison break. McGyver’s prose is straightforward and effective, essentially a perfect fit for the story. Character development is quick and effortless and relies on action, not exposition. Like an RPG game, the plot is always in motion as characters wander from village to village, tavern to tavern, dungeon to dungeon, and side quest to side quest. However, I initially found the pacing odd. The plot would accelerate quickly and then suddenly slow, especially when the party stopped for the night in taverns (and there were so many taverns). I found it unusual and sometimes a bit distracting. Then, about three-quarters of the way through the book, I had an epiphany: Dragons in the Dungeon is paced like an actual game, not necessarily a conventional novel. At that point, this feature transformed from a distraction to a strength. This became more apparent as the climax drew closer and the wall between the game world and the real world blurred. The novel was well-edited, but I did encounter a few bumps. In a few instances, I found it difficult to know who was speaking and had to reread the passages. However, this did not detract from the overall experience. McGyver was also gracious enough to explain upfront to her audience that she used Canadian spellings, though I didn’t find it an issue. Dragons in the Dungeon is a light, easy, and breezy read, perfect for fantasy RPG players of any age but targeted at those who remember the early D&D “1st edition” days. I think modern RPG players would likely enjoy this novel as well, as the nostalgia isn’t heavy-handed. Dragons in the Dungeon may appeal to general fantasy readers, but its module-style pacing might be off-putting to some. Would it appeal to a broader audience beyond the fantasy genre? I don’t think that’s an important consideration in this novel's case. I’m guessing McGyver intended this for a specific audience, for people like me. And for that, I thank her. Dragons in the Dungeon accomplishes its mission and leaves the reader entertained, feeling a bit nostalgic, and ready to play another game of D&D. "HIGHLY RECOMMENDED" - A highly enjoyable reading experience |
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