 Programming Note: I will be "offline" for a while, so this is the last post for two weeks. See you in July. Recently, my wife and I went on a weekend getaway to Columbus, Georgia, to celebrate our 32nd anniversary. Throughout the experience, my trusty Rebel T5 camera was my constant companion. It had been decades since I last visited Columbus, and I was astonished by the significant changes that had taken place over the years. One particular highlight was the delightful downtown river walk along the Chattahoochee. Much to our surprise, we witnessed kayakers and rafts navigating the rapids, right in the heart of the riverwalk. Despite my wife's slight annoyance, I immediately made my way to the river's edge and began capturing the scene. The weather was overcast, so I adjusted the ISO settings to approximately 200-400. Wanting a moderately wide depth of field, I knew that the Sigma 18-250 EFS lens's digital zoom would limit my ability to achieve low apertures, so I settled for around 5.6. To freeze the action and capture as many images as possible, I opted for a shutter speed well above 1/1000s throughout. I set the shutter release on high-speed automatic mode, although I must admit that, for a Rebel T5, the speed was not particularly high. The bottom line was that I aimed to capture the dynamic moments and ended up with a plethora of images. I have now shared some of these photographs in this week's blog post, and the entire experience has made me contemplate the importance of having my camera with me at all times.  Having a camera with you is the key to capturing the shot. It's as simple as that. When you have a camera within arm's reach, you seize every opportunity that comes your way. Personally, I carry my beloved Canon Rebel T5 with me almost everywhere I go. I affectionately refer to it as my "everywhere/everyday camera." This term encompasses cameras that are always within arm's reach, whether it's in the back of your car, your trunk, your luggage, or your backpack. These everywhere/everyday cameras are like trusted companions that accompany you wherever you may be. Today, I would like to discuss the essential qualities that make a good "double-E" camera and provide some insights on how to make the most of them.  1. Replacement CostThe cost of replacement is a crucial factor when considering a double-E camera. If you cannot afford to replace it, then it is not a viable option to take it with you. The more you expose the camera to adventures, the higher the risk of damage or theft. Each person has their own perception of what is considered "cheap" or "inexpensive," but ultimately, it boils down to the consequences of a broken, destroyed, or stolen camera. A good double-E camera is one that you are financially prepared to replace. While I will undoubtedly be saddened when my trusty T5 eventually breaks or stops working, I won't be devastated. In such a situation, I will likely opt for another affordable Canon DSLR with a cropped sensor. This decision is primarily driven by the fact that I already possess compatible lenses, which are also relatively inexpensive, and there is a wide availability of used Canon Rebel bodies for sale. If your camera carries a hefty price tag, you will naturally think twice before subjecting it to the risks associated with carrying it everywhere. This consideration becomes even more critical with an expensive full-frame DSLR, as the act of using it can potentially shorten its shutter life (camera shutters have limited lifespans, as measured by "shutter click" counters). A camera that makes you hesitate before using it does not fit the criteria of a good double-E camera. It's not just the camera body, though; the lenses are equally important. Lenses often exceed the camera's cost by a significant margin. A high-quality "L" series EF pro-level lens may produce crisp and stunning images, but what if you accidentally drop it? In contrast, a cheaper EFS lens may not match the same level of quality, but it will come close considering the price you pay. For everyday use, the cheaper lens will likely suffice. It's a cost-benefit analysis, but ultimately, the key objective is to capture the shot! Expense and capability go hand in hand. The question to consider is how much capability you can afford to lose. When it comes to double-E cameras, various factors determine their suitability.  2. CapabilityCameras come in a wide range of shapes, sizes, and capabilities. If you're interested in delving deeper into this topic, I recommend reading an informative article from Adorama that categorizes camera models into 13 types. However, regardless of a camera's capabilities, it's important to remember that if you cannot afford to lose it, it shouldn't be brought along as an double-E camera. Here are several camera models that have the potential to serve as good double-E cameras, taking into account their capabilities in relation to your skill level and the subjects you typically shoot in your everyday adventures. For detailed descriptions of each camera type, please click on this link:
I often reference the cropped-sensor DSLR (APS-C) cameras in category #3 because that is the type I personally use as my go-to double-E camera. I consider them as the standard baseline for all double-E cameras due to their favorable balance between cost and capability. These cameras are typically considered entry-level for individuals who are serious about pursuing photography as a hobby or profession. While they have a smaller digital light sensor compared to full frame DSLRs, they offer most of the same functions and can often use the same lenses. Despite the increasing popularity of mirrorless technology, cropped-sensor DSLRs remain prevalent and affordable. It is possible to find a good used cropped-sensor camera at a reasonable price. Don't believe me? Just head over to Facebook Marketplace, type "camera" in the search box, and see for yourself.  Concerning Cell Phone Cameras...I strongly advise against relying on your phone as an double-E camera due to its limitations in terms of cost and capability. While phone cameras offer convenience and perform well in many situations, they primarily serve as tools for phone calls and applications. Their poor ergonomics make them awkward to handle and unsuitable for quickly adapting to changing photography scenarios. With their clunky design, they require intricate finger movements to set up and capture shots. Moreover, they are fragile and prone to being dropped and damaged. To illustrate my point, imagine having one opportunity to capture a clear shot of Elvis, the Loch Ness Monster, an alien, or Bigfoot. In such a scenario, would you prefer to rely on your phone or a dedicated and capable camera that you are comfortable using? Additionally, if the Men in Black were to appear and confiscate your camera afterward, would you rather lose the dedicated camera or your cell phone? For most people, the loss of a cell phone would be highly detrimental. These devices have become integral parts of our daily lives, and jeopardizing them is not advisable. It's not just the cost of replacement; it's also the data and functionalities tied to our phones that we rely on. In fact, many individuals experience significant distress when they misplace their cell phones—it's akin to a wizard losing their wand. If you don't believe me, I encourage you to watch the following video (note that it contains some strong language and may induce cringing). The bottom line is to protect your phone and aim for better shots by avoiding using it as your dedicated everywhere/everyday camera. If you are seeking an everyday/everywhere camera, I recommend utilizing a different device instead of relying solely on your cell phone. 3. Size and Weight - Grab and Go.As mentioned earlier, when your camera and lenses carry a hefty price tag, you tend to hesitate before taking them everywhere. The same consideration applies to weight and bulkiness. Personally, I avoid lugging around my heavy full-frame camera, along with its assortment of lenses, flashes, and support equipment, unless it is necessary for a paying client or a special occasion. An double-E camera, along with its lenses and supporting gear, should prioritize minimalism and lightness. It should be a "grab and go" setup. Here are some tips to ensure it remains that way: 
Of note: Consider whether you truly need a laptop for editing images. In most cases, it can wait until you return home. Be cautious about adding unnecessary weight. If a laptop is essential, consider purchasing a used MacBook Air or a comparable Windows system that can serve as a temporary solution until you can transfer your images to the cloud or your main computer. The kit comparisons below include my MacBook Air. Below are two images for comparison. The first image showcases my high-end professional 6D bag alongside my Canon Rebel T5 "grab and go" bag. The bag on the right is capable of fulfilling 70-80% of the functions of the bag on the left in most lighting conditions. In the second image, you'll find a motorcycle variation of my "grab and go" kit, excluding the MacBook.   4. The Great Mitigator - Know Your Equipment.In most instances, an everywhere/everyday camera and lens setup will never reach the same level as high-end equipment. How can a photographer address the loss of capability? That is a subjective decision that solely depends on your personal approach. 
 Summary - Double-E's Make You A Better Photographer.Sometimes, the path to better photography lies not in purchasing more expensive equipment, but rather in having the right camera with you when you need it. Everywhere/everyday camera setups not only reduce risk but also incentivize photographers to take more risks and capture more photos. When it comes to a double-E camera, it's crucial to strike the right balance between cost, capability, and convenience. While expensive and bulky equipment may deter us from carrying them everywhere, choosing a lighter and more affordable option, like a cropped sensor or mirrorless camera, can be a wise choice. Understanding the strengths and limitations of your double-E camera and lenses is key to making the most of their capabilities. By compensating intelligently and making smart substitutions when needed, you can overcome the limitations and adapt to different shooting situations. With careful consideration and planning, you can ensure that your double-E camera serves as a reliable and versatile companion for capturing memorable moments wherever you go.  If you enjoyed this blog post, please like and share on social media. Also, please explore and shop my fine art photography galleries below. Autographed paperback copy of "Abandoned Wiregrass"
$24.99
Get "Abandoned Wiregrass: The Deepest South’s Lost and Forgotten Places" signed by the author! Welcome to the Wiregrass, a place where abandoned doesn't always mean vacant, and vacant doesn't always mean empty. Nestled between Florida's sugar-white beaches and the agriculturally rich Black Belt, there exists a land of endless peanut fields and high cotton. This is the deepest of the Deep South, Dixie's last stand before accents and culture take on a decidedly Northern flavor along the Gulf Coast and Florida Peninsula. Narrow asphalt ribbons wind through this region's pine forests, passing through small farming communities that are fighting for survival in the global economy. The lingering aftershocks of the 2008 economic crisis and 2018's Hurricane Michael still reverberate here. These pressures, along with an aging and declining population, have created a region where abandoned buildings are commonplace. These forgotten structures speak of dreams lost; from crumbling sharecropper shacks, to desolate main streets, to modern homes where the owners simply moved on. Take a journey with award-winning author and photographer Brian Braden as he chronicles the slow-motion apocalypse of abandoned homes and businesses of the Wiregrass and also discovers a place of hope and transition, where citizens fight to revitalize their hometowns and preserve a rich cultural heritage. Allow 1-2 weeks for delivery. BW003 - "Christmas Boll Weevil"
$7.00 - $99.00
Enterprise, Alabama goes all out to celebrate the Christmas holidays, including decorating the iconic Boll Weevil Monument. The only monument to an insect, the Boll Weevil turned 100 in 2019 and celebrates the transition from cotton to peanuts as the region's primary cash crop. Part of the Brian L. Braden "I Love Enterprise, Alabama" Collection. Click over image for expanded view. The physical print you receive will not include the watermark. Allow 2-3 weeks for delivery.. BW004 - "Winter Boll Weevil"
$7.00 - $99.00
A crisp winter sunset descends behind the Boll Weevil Monument and College Street. The only monument to an insect, the Boll Weevil turned 100 in 2019 and celebrates the transition from cotton to peanuts as the region's primary cash crop. Part of the Brian L. Braden "I Love Enterprise, Alabama" Collection. Click over image for expanded view. The physical print you receive will not include the watermark. Allow 2-3 weeks for delivery.. BW002 - "Parade Boll Weevil"
$8.00 - $90.00
The famous Boll Weevil Monument not only stands in the center of downtown Enterprise, Alabama, it also symbolizes the communities very heart. The monument is always stage-center at the community's celebrations, like the annual Christmas Parade. The Boll Weevil turned 100 years old in 2019. Part of the Brian L. Braden "I Love Enterprise, Alabama" Collection. Click over image for expanded view. The physical print you receive will not include the watermark. Allow 2-3 weeks for delivery.. EP001 - "Crimson and Lavender Sunset 01"
$7.00 - $99.00
It is March, and the sun sets over field of crimson and lavender on the northern outskirts of Enterprise, Alabama. Part of the Brian L. Braden "I Love Enterprise, Alabama" Collection. Click over image for expanded view. The physical print you receive will not include the watermark. Allow 2-3 weeks for delivery.. EP002 - "Crimson and Lavender Sunset 02"
$7.00 - $99.00
It is March, and the sun sets over field of crimson and lavender on the northern outskirts of Enterprise, Alabama. Crystal orb photography is a new medium for me, and I'm excited to include the art form in my various collections. Part of the Brian L. Braden "I Love Enterprise, Alabama" Collection. Click over image for expanded view. The physical print you receive will not include the watermark. Allow 2-3 weeks for delivery.. EP003 - "Crimson and Lavender Sunset 03"
$7.00 - $99.00
This field on the northern outskirts of Enterprise, Alabama has since been converted to suburb. I am glad I was able to capture it in full spring glory before it was gone forever. Crystal orb photography is a new medium for me, and I'm excited to include the art form in my various collections. Part of the Brian L. Braden "I Love Enterprise, Alabama" Collection. Click over image for expanded view. The physical print you receive will not include the watermark. Allow 2-3 weeks for delivery.. EP005 - "Enterprise April Sunset 1"
$7.00 - $99.00
A lot of pride greets visitors to Enterprise, Alabama as they roll into town from the north along Alabama Highway 167. Part of the Brian L. Braden "I Love Enterprise, Alabama" Collection. Click over image for expanded view. The physical print you receive will not include the watermark. Allow 2-3 weeks for delivery.. EP006 - "Enterprise April Sunset 2"
$7.00 - $99.00
The view that greets visitors to Enterprise, Alabama as they roll into town from the north along Alabama Highway 167. The wildcat is the mascot for Enterprise High School. Part of the Brian L. Braden "I Love Enterprise, Alabama" Collection. Click over image for expanded view. The physical print you receive will not include the watermark. Allow 2-3 weeks for delivery.. EP007 - "Sunset Over Enterprise Electronics 1"
$7.00 - $99.00
The sun fades in the west behind Enterprise Electronic Corporation. EEC has been an industry leader in weather radars since 1971, and is just one of many high technology businesses in Enterprise and the Wiregrass area. Part of the Brian L. Braden "I Love Enterprise, Alabama" Collection.
Click over image for expanded view. The physical print you receive will not include the watermark. Allow 2-3 weeks for delivery.. EP008 - "Sunset Over Enterprise Electronics 2"
$8.00 - $90.00
The sun slips behind a massive radar dish at Enterprise Electronic Corporation. EEC has been an industry leader in weather radars since 1971, and is just one of many high technology businesses in Enterprise and the Wiregrass area. Part of the Brian L. Braden "I Love Enterprise, Alabama" Collection. Click over image for expanded view. The physical print you receive will not include the watermark. Allow 2-3 weeks for delivery.. EP011 - "Bellwood Road Sunset"
$7.00 - $99.00
A derelict farmhouse house sits just south of town on a beautiful May evening. Part of the Brian L. Braden "I Love Enterprise, Alabama" Collection. Click over image for expanded view. The physical print you receive will not include the watermark. Allow 2-3 weeks for delivery..
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I'm still roaming the Wiregrass looking for the abandoned, derelict, forgotten and just plain interesting. These Henry County derelict gas pumps have survived the gas station itself. Other than the pumps, only a skeletal roadside remains. I didn't have long to capture these images, as a bad storm was bearing down on me. The lightning barrage to my north was too close for comfort considering all the tall metal surrounding me, so I took a few shots and got back in the truck. I've added this location my large and growing list of Wiregrass potential photography locations. I will revisit this place, as I think it has potential for other shots under different lighting and conditions.  
 Bryan Kirschner of "Grizzly Customs" Bryan Kirschner, the proprietor of "Grizzly Customs," has reached out to me multiple times over the past three years, requesting my photography services to capture his unique custom creations. Originating from California, Bryan infuses the Wiregrass area with a distinctive West Coast flair through his extraordinary custom bikes, which can be described as true works of art on two wheels. Naturally, I was thrilled when he recently contacted me again. However, this time around, things were different. Grizzly Customs, Bryan's business, is undergoing significant changes. He has made the decision to close down his current establishment and shift away from the realm of basic motorcycle repairs. Instead, he will be dedicating his efforts solely to crafting the art of custom motorcycles. According to Bryan, this particular aspect of the business is where his true inspiration lies, and it is where he intends to concentrate his focus. When he asked me to document the final two motorcycles to be created at the Andrews Avenue location in Ozark, I gladly accepted the opportunity. Without further ado, I present to you a collection of images from my recent session at Grizzly Customs. Sit back, relax, and enjoy!      Here are some images of previous shoots for Grizzly Customs.   
Last week was hectic at work, but I did manage to get some writing done. I dropped about 1000 words on a manuscript that has been sitting around since at least the late 1990s. I set it aside years ago to concentrate on "The Chronicles of Fu Xi," but now I've picked it back up in an effort to complete it. It's funny looking back at your old draft manuscript. The process makes most writers cringe, myself included. However, that's not the case with this manuscript. It's been at least five, maybe even ten, years since I've read chapters from this unfinished work. I don't cringe when I read them (well, most of them). I think it's some of my best work, but it's unfinished. My wife doesn't comment on my writing much, but she has stated in the past that she prefers this manuscript to my work on "Chronicles of Fu Xi." I really need to figure out a way to complete it. But why? If it's so good (at least in my head), why can't I bring myself to finish it? In this blog, I'm going to talk myself through the problems I'm having with this manuscript. Maybe writing about them might help me break this decades-long logjam and get the project moving. You're welcome to listen in. I spent most of Sunday morning inventorying completed chapters and story outlines. I have perhaps 50-60 thousand words, lots of good scenes, a rough story idea, but no solid plot structure. That's what stopped me last time. How do I progress this story with solid characters and great personal interplay? Where do I take it? First, I don't know where it's going. That's a hard pill to swallow as a professional writer, realizing I just started writing scenes but have no idea where to take it. As my writing style evolved, I eventually found that it's best to start with the ending. If I know what the climax will look like, I can build a story to get me there. Yet, I don't have a solid climax for this manuscript. I have a vague idea of where I want it to go, but not a solid scene in my head. This is the first problem to solve. Second, my MacGuffin is vague. A MacGuffin is the object that sets the plot into motion and gives the plot purpose. For example, in the Harry Potter books, it's the thing Harry and his friends are trying to find, like the Sorcerer's Stone. In "Raiders of the Lost Ark," it was the Ark. I have several MacGuffins to choose from in this manuscript, but I can't settle on just one. I think it's because just one doesn't satisfy everything I need it to do. That probably means I need to simplify the plot and maybe even axe some characters. The third problem I have is when the story is set. I started writing it in the late 1990s, and that's where I left it. It went from being a contemporary "urban" fantasy to a period piece. I didn't mean for that to happen. I'm going to keep it set in the '90s because I think it adds flavor, and one of the characters must come from the "Greatest Generation," and if I make it happen today, they would be too old or dead. A period piece demands more research to make sure I have my facts right so it feels like it's set in the 1990s. Computer tech plays a major role in the plot, so getting the state of the art for the mid-1990s is key. All of this adds time. The fourth problem is that I have too many characters and subplots. Actually, let me correct myself—I definitely have too many characters and subplots. For instance, I'm currently in the middle of writing a new prologue to solidify the MacGuffin, but it quickly spiraled out of control as the minor character in the prologue (who was supposed to be there only to set things up) started to take on too much of a life of his own. What was intended to be a 1000-word section has now ballooned to over 3000 words. There I go again, falling into the trap of forgetting that less is more. If I want this novel to be under 100K words, I need to streamline everything. It's time to make some painful choices. The next issue isn't really a problem per se, but it's a necessary and difficult aspect to tackle. This story is dark—brutal, even, at times. Profanity and violence must occur to stay true to the characters. People who have become familiar with my previous work probably won't like or understand it. Some may even recoil. I can't sugar-coat this plot. The characters are who they are. However, amidst the darkness, there is a strong streak of goodness and hope in this book. But for that light to shine brightest, it needs to be surrounded by darkness. All of these flaws act as poison pills for the manuscript. But it's not all bad news. Every story needs an overarching theme, each character needs a theme, and each chapter needs its own theme. I sort of have an overall theme for this book—the redemptive power of love and the timelessness of love. Yet, as I'm writing this, I've come to the realization that I actually stumbled upon my true theme by accident. I didn't even realize I had written it down inadvertently. I feel better after talking through all of this. Thanks for listening. Okay, it's time to get back to writing. If you enjoyed this blog post, check out my epic fantasy series! "Chronicles of Fu Xi: Three Book Set" signed by author.
$55.00
Get all three paperback novels signed by the author! Set in the long-forgotten period of ancient history known as "The Younger Dryas," THE CHRONICLES OF FU XI transforms recently re-discovered Black Sea legends, possibly the root of all Eurasian mythology, with ancient Chinese mythology to create an unprecedented epic fantasy series. Allow 1-2 weeks for delivery. Autographed Paperback Copy of "The Golden Princess
$15.00
Get your personalized signed copy of "The Golden Princess!" "Escape the City of Gold, or live forever in chains." Raised in splendid isolation. Betrothed to a man she despises. Destined to rule over the greatest city on earth. She is the Golden Princess. Sarah dreams of love and adventure beyond her gilded prison, but tonight her dreams come true in the most terrifying way imaginable. A bloody power struggle erupts for the throne, and dawn finds the princess on the run with a bounty on her head. Alone and hunted by guards, criminals and a ruthless slaver who will stop at nothing to burn his brand into her flesh, Sarah must summon courage she never knew she possessed. Hope, however, comes in the form of two lowly thieves. Driven by a secret, they race through Hur-ar’s underworld to find Sarah before her enemies do. Before the next sunset, Sarah’s fate, and that of empires, will be decided with gold, steel and blood. Allow 1-2 weeks for delivery.  The last few weeks I have been unable to focus on any one project. Important obligations elsewhere have kept me away from the lens, the keyboard and the motorcycle. This is somewhat of a bummer, but necessary. Hopefully, I'll have a photo session coming up this week, and I look forward to it. Maybe another behind that. Work continues on two fiction novels: Chronicles of Fu Xi Book IV, and a stand-alone urban fantasy, tentatively titled Quest for the Purple Queen. It's a project I've had in the works since 2008, will be submitted to traditional publishers once completed. I've put it on the front burner because, well, its time. In the coming weeks I plan to showcase a sample of the new novel here on my blog. More to follow. On the photography front, I was recently invited to take photos of a private car & motorcycle show for a friend of mine. I had a great time, and I wanted to share a few of the images with you today. 
 
To celebrate the opening of my "I Love Enterprise" Gallery, I'm conducting my first giveaway. You could win an 8x12 print of "Centennial Boll Weevil." Why did I create an "I Love Enterprise" gallery? Well, simply put, I adore my hometown and I find immense joy in capturing its essence through my photography. Living here has fostered a deep love for this place within me. In January of 2019, we were fortunate to witness a remarkable lunar eclipse, coinciding with the start of the Boll Weevil Monument's 100th anniversary. Seizing this unique opportunity, I decided to merge these two significant events into a single image, captured on the same unforgettable night, as a heartfelt homage to the centennial celebration of the Boll Weevil Monument. My intention was to commemorate this momentous occasion, paying tribute to the enduring spirit of Enterprise. For those who are unfamiliar with Enterprise, the statue holds a special significance as it is dedicated to the remarkable insect that played a pivotal role in transforming the region's agricultural landscape. At that time, the devastating impact of the boll weevil on the cotton harvests forced growers to seek alternative crops, leading them to embrace the cultivation of peanuts. This unexpected shift turned out to be a stroke of brilliance, as peanuts proved to be a more lucrative and sustainable choice, ultimately becoming the backbone of the area's thriving agricultural economy. It's worth noting that the Boll Weevil statue holds a truly unique distinction, as it stands as the only monument in the world dedicated to an insect. In order to win, you must enter your valid email below. While I'm sure this contest is of special interest to those from Enterprise and the Wiregrass, anyone who lives in the continental United States may enter. No purchase necessary. The contest closes 9 June, and I will contact the winner by 12 June 2023. If this giveaway goes well, there will be more to follow. In the meantime, please checkout my "I Love Enterprise" Gallery for other images of my hometown!  Rules: You must live in the continental United States to win.
I recently had the opportunity to visit Chihuly Garden and Glass in Seattle, and it was truly a remarkable experience. Located at the base of the Space Needle, this permanent exhibit showcases the extraordinary work of Dale Chihuly, a world-renowned master glassblower and artist. The garden encompasses both indoor and outdoor display spaces, featuring stunning architecture and even a delightful little bar. Prior to my visit, I must admit that I was unfamiliar with Dale Chihuly and his artistic brilliance. However, upon entering the garden, I was immediately captivated by his mesmerizing glass art. It possesses a magical and ethereal quality that truly left me in awe. The vibrant colors, intricate shapes, and masterful compositions go beyond mere visual appeal. They evoke a sense of wonder and transport you to another world. To my pleasant surprise, photography without flash was permitted in the Chihuly Garden, allowing me to capture the beauty of his creations. I could have easily spent an entire day photographing his breathtaking artwork. Needless to say, but now I am a fan. In addition to the Seattle exhibit, Dale Chihuly has curated several other temporary and permanent exhibits across the United States, as well as in Japan. If you haven't had the chance to witness his artistry firsthand, I wholeheartedly recommend taking the time to visit one of his exhibits. For more information, you can visit his website or find him on Facebook. 
If you enjoyed this blog post, please explore my fiction and photography books by clicking below! Autographed paperback copy of "Abandoned Wiregrass"
$24.99
Get "Abandoned Wiregrass: The Deepest South’s Lost and Forgotten Places" signed by the author! Welcome to the Wiregrass, a place where abandoned doesn't always mean vacant, and vacant doesn't always mean empty. Nestled between Florida's sugar-white beaches and the agriculturally rich Black Belt, there exists a land of endless peanut fields and high cotton. This is the deepest of the Deep South, Dixie's last stand before accents and culture take on a decidedly Northern flavor along the Gulf Coast and Florida Peninsula. Narrow asphalt ribbons wind through this region's pine forests, passing through small farming communities that are fighting for survival in the global economy. The lingering aftershocks of the 2008 economic crisis and 2018's Hurricane Michael still reverberate here. These pressures, along with an aging and declining population, have created a region where abandoned buildings are commonplace. These forgotten structures speak of dreams lost; from crumbling sharecropper shacks, to desolate main streets, to modern homes where the owners simply moved on. Take a journey with award-winning author and photographer Brian Braden as he chronicles the slow-motion apocalypse of abandoned homes and businesses of the Wiregrass and also discovers a place of hope and transition, where citizens fight to revitalize their hometowns and preserve a rich cultural heritage. Allow 1-2 weeks for delivery. "Chronicles of Fu Xi: Three Book Set" signed by author.
$55.00
Get all three paperback novels signed by the author! Set in the long-forgotten period of ancient history known as "The Younger Dryas," THE CHRONICLES OF FU XI transforms recently re-discovered Black Sea legends, possibly the root of all Eurasian mythology, with ancient Chinese mythology to create an unprecedented epic fantasy series. Allow 1-2 weeks for delivery. Autographed Paperback Copy of "The Golden Princess
$15.00
Get your personalized signed copy of "The Golden Princess!" "Escape the City of Gold, or live forever in chains." Raised in splendid isolation. Betrothed to a man she despises. Destined to rule over the greatest city on earth. She is the Golden Princess. Sarah dreams of love and adventure beyond her gilded prison, but tonight her dreams come true in the most terrifying way imaginable. A bloody power struggle erupts for the throne, and dawn finds the princess on the run with a bounty on her head. Alone and hunted by guards, criminals and a ruthless slaver who will stop at nothing to burn his brand into her flesh, Sarah must summon courage she never knew she possessed. Hope, however, comes in the form of two lowly thieves. Driven by a secret, they race through Hur-ar’s underworld to find Sarah before her enemies do. Before the next sunset, Sarah’s fate, and that of empires, will be decided with gold, steel and blood. Allow 1-2 weeks for delivery. The Space Needle as seen from Chihuly Gardens. Vacation is over, back to work. I'm back home from a week in Seattle. It was my first visit to that town, and it was an overall pleasant experience. My wife has a business trip, and my daughter and I tagged along. Of course, I brought my camera. A few impressions of Seattle:  1. Not as crime-ridden and overrun with homeless drug users as the media makes it out to be. I saw a few makeshift tents and the drug users were there, but mostly concentrated in a few spots. Overall, the streets were clean and safe with a strong police presence. Panhandlers weren't any worse than most American cities. In terms of homelessness, Seattle didn't compare to what I saw in California last year. 2. People were generally friendly. Maybe that was because everyone was high - everywhere you go smells like skunk-weed. 3. Everything is expensive. 4. Seattle is an international city. I heard so many different languages. 5. Great food. 6. Great art, and we only scratched the surface. 7. It's a photographer's paradise. I had so much to shoot, and so little time to do it. I could have stayed another week.  The Market.  Gray Whale off the coast of Everett, Washington.  Sunset over the Puget Sound. Gotta go now, check back on my Facebook for more images over the next week.  I'm taking a break from this week's blog. I'll be spending some time with my family, and a break from writing as well as taking some "recreational" photography. I'll be back next week.
 Most of my work is fine art and landscape photography, but I do enjoy the opportunity to do portrait photography. Camryn's mom asked me to take her senior photos, and we had a blast that day. I love taking senior photos, and capturing that special moment in a young person's life as they start their journey into adulthood. What's really fun is parent participation during the photo session, as its a shared opportunity for the child and parent to work together on something special one last time. Moms and dads are often pleasantly surprised when I ask them to hold a reflector, shade or light and participate in the shoot. The parents understand the importance of the moment, and the kids will eventually look back and understand as well. If you would like a senior photo session, or any portrait needs, please contact me below.
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